Always Heading Home began life in September 2019 with the recording of We All Write The Stories and Come Take Your Place. Both tracks immediately received local radio airplay. In March 2020 the world went into lockdown because of Covid 19 and this album took on a completely different shape,
The bulk of the songs were recorded at Halligan’s home studio (The Sewing Room) and the files sent up to Sandy at the Foundry for final mix and mastering. Various musician contributed including Graeme Duffin, Pete Banck, Ewan Cameron, Chris Haigh and Chris Hunt.
The single, The Other Side is also on this album.
Rob Halligan – Vocals, Electric and Acoustic Guitars, Gazouk, Mandolin, Keys, Piano, Bass, Programming
Graeme Duffin – Electric Guitar
Chris Hunt – Electric Guitar
Ewan Cameron – Whistles
Chris Haigh – Fiddle
Nikita Halligan – Vocals
RnR Magazine Review (Issue 85 – Jan/Feb 2021)
The thirteenth album from Coventry-based singer-songwriter Rob halligan was begun in 2019, but mostly written and recorded during lockdown, allowing him time to reflect on life’s journey. Rob’s own songs are lyrically strong, full of spirituality and hope, and though treatments differ, the overall feel is of folk-rock with a strong country flavour.
‘We All Write the Stories’ starts Always Heading Home in solid rock mode with Ewan Cameron’s whistles underpinning a song about inclusivity. ‘You Never Can Tell’ (not the Chuck Berry song) demonstrated how love conquers all, in a piece of country swing, with prominent fiddle by Chris Haigh. ‘The Other Side’ is a song of hope sung as a duet with daughter Nikita, simply accompanied on piano.
Three songs that Rob didn’t compose emphasise the spiritual side. The familiar ‘Wayfaring Stranger’ is performed raw and acoustic, Charles Wesley’s ‘Come o Thou Traveller’ has Rob’s tune, and ‘Row On’ has Tim Laycock’s gorgeous tune on words collected from 19th century whalers.
A recurrent theme is about emerging on the other side which all culminates in the title track, “the sun will rise again… memories will fade of the darker days we had“. This is a fine album and very relevant to these strange times.
Hot Music Live Review (LINK)
During the last eight months, I have reviewed releases I had some inkling of in advance, a few well in advance, some complete surprises & some long anticipated. I can’t however think of any I had more advance awareness of though than the new album ‘Always Heading Home’ by Rob Halligan which is now available. It must have been well over a year ago that I became aware of the dates for the tour Rob had planned to accompany it: dates which of course have largely been postponed (but thankfully not cancelled). It is so clear how much thought & love he had put into what was obviously planned to be a very special year & it is hugely disappointing that his plans were disrupted in this way. The fact that this is his 13th album I’m sure in no way contributed to 2020 going so awry.
So is this primarily an excuse in regret for him from me? Well, it is a bit (how could it not be?) but I am really pleased to say that he has adapted brilliantly & seized the opportunity to create songs he would not otherwise have written & thus we can see that the tracklist of ‘Always Heading Home’ as originally conceived of is not what we see before us today (especially if you have the beautifully designed package in front of you as I am fortunate enough to do.).
I’m sure the album as first planned would have been up to Rob’s usual high standards, but I can’t help but think that the turn it has had to take not only introduces some heartfelt new songs which arose naturally out of this extreme situation & hence have a very high level of truthfulness, but the unexpected songs not only complement those already created but perhaps tell the whole story even better. This can broadly be described as one of a journey with its consequent bumps & turns and as Rob is as interested in describing spiritual progressions as much as he is literal or figurative ones, it is enhanced by working on multiple levels. As he says in his frank & revealing sleeve notes, we are all going through “a rollercoaster of emotions, memories, hopes, anxieties and gratitude” but I think we can all attest to currently experiencing these at higher levels than normal years present us with & even more crucially we are all experiencing them together at the moment….
So what of the collection in detail? Forged with the help of collaborators such as Graeme Duffin (of Wet Wet Wet) , Ewan Cameron, Sandy Jones, Chris Haigh (on fiddle from a distance), Chris Hunt & Pete Banks, lockdown also enabled home recorded tracks such as “The Other Side” and You Never Can Tell” to feature Jean & Nikita Halligan.
Several tracks have already been issued as singles and reviewed in “Hot Music Live” since February: “Nothing Good Is Wasted”, “The Other Side”, “Come Take Your Place”, “Promised Land” and “Homeward Hie” so rather than repeat myself, since my appreciation of each remains constant, you might like to revisit those reviews to remind yourself of the songs and my thoughts thereon.Of the other songs, three are effectively covers (or half covers) with the traditional “Row On” containing a new original central section which in turn was the genesis of “Homeward Hie” and “Come O Thou Traveller” is Charles Wesley hymn set by Rob to a new tune while “Wayfaring Stranger” is another traditional song which like the other two fits snugly into the theme of the vicissitudes of the road being assuaged by a warm welcome & hearth at its end.”We All Write The Stories” has been a really central part of Rob’s live set for quite some time: indeed it can be seen as the axis around which his other songs all spin and hence two versions appropriately bookend the album proper. The other songs, being the title track (clearly predating lockdown) and the very recent “You Never Can Tell” (obviously not) tell their own tales: the former being a very universal poetic expression offering hope despite the problems of our journey through life while the latter is much more focused on two distinct figures within a loose narrative, though as we don’t learn too much about who they are, I think we can safely absorb inclusive application here as well.
It’s a really beautiful collection both in the detail of the playing & words & of course the sentiments, but even more than this, it is the awareness of how it evolved & how it became a response which gives it a special force. Few albums contain notes detailing their own journey, so although most do reflect all sorts of emotions the artists went through making them, we seldom learn these aspects or forget them: in the case of ‘Always Heading Home’, the facts are there for us to read for posterity & to enlighten new listeners in years to come. Maybe they’ll have a little mist in their eyes by the end as I did…..